In the same way the film professes "We are nothing more than the memories we keep," Rememory is barely more than Peter Dinklage's singular performance.
Sans that, there's little else to recommend—save beautiful cinematography, gorgeous architecture, cold-blue lighting, Vancouver grit, and dark nights.
So it does succeed at being just atmospheric enough to keep me focused on Dinklage, and that's saying something, is it not?
